Wednesday 4 January 2012

Don't Be Cruel - Otis Blackwell

Don't Be Cruel was the first Otis Blackwell song that was famously covered by Elvis -



"On Christmas Eve 1955, Otis Blackwell found himself on the streets in front of the Brill Building in New York City trying to stay warm. Things weren't going well for Blackwell - it was raining and there were leaks in the soles of his shoes. His friend Leroy Kirkland walked by and asked Otis if he had written anymore songs. Otis said yes. Over the next week, he sold 6 of them to a publishing company for $25 each. Management at The Brill Building liked him so much they offered him a full-time job writing, and Blackwell accepted. Not long after, Otis got some very good news: This up-and-coming Rock star wanted to record one of his songs. The deal was, the guy wanted half the writer's fee. Otis said, "No way I'm gonna give up half that song." His friends convinced him that half of something was better than all of nothing. Besides, this new singer just might "make it" and if he did, Otis' royalties would be tremendous. Over the next few days, Otis agreed. It wasn't Elvis who wanted half the "writer's fee." It was his manager, Colonel Tom Parker. The song became one of Elvis' biggest and longest running hits." (Ron Foster www.oldiesradioonline.com.)

From Wiki http://en.wikipedia.org/wiki/Don't_Be_Cruel
" "Don't Be Cruel" was the first song that Presley's song publishers, Hill and Range, brought to him to record. Blackwell was more than happy to give up 50% of the royalties and a co-writing credit to Presley to ensure that the "hottest new singer around covered it".

Presley recorded the song on July 2, 1956 during an exhaustive recording session at RCA studios in New York City. During this session he also recorded "Hound Dog", and "Any Way You Want Me". The song featured Presley's regular band of Scotty Moore on lead guitar (with Presley usually providing rhythm guitar), Bill Black on bass, D.J. Fontana on drums, and backing vocals from the Jordanaires. The producing credit was given to RCA's Steve Sholes, although the studio recordings reveal that Presley produced the songs in this session by selecting the song, reworking the arrangement on piano, and insisting on 28 takes before he was satisfied with it."

More on Otis Blackwell http://en.wikipedia.org/wiki/Otis_Blackwell

Below - Elvis -


The Bill Black Combo had an instrumental hit with the song in the early 60's -




"William Patton "Bill" Black, Jr. (September 17, 1926 – October 21, 1965) was an American musician who is noted as one of the pioneers of rockabilly music. Black was the bassist in Elvis Presley's early trio and the leader of Bill Black's Combo.

Black began playing the upright bass fiddle. He modeled his "slap bass" technique after one of his idols, Fred Maddox of Maddox Brothers and Rose. Black also developed a "stage clown" persona in the same way that Maddox entertained audiences. Black performed as an exaggerated hillbilly with blacked-out teeth, straw hat and overalls. According to his son, Black said his goal was always to give his audience "a few moments of entertainment and maybe a little bit of humor that'll tickle 'em for a while."
In 1952, Black began playing club and radio shows with guitarist Scotty Moore. Along with two other guitarists and a fiddler, they performed country music tunes by Hank Williams and Red Foley in Doug Poindexter's band, the Starlight Wranglers. Black and Moore also played in a band with Paul Burlison, Johnny Burnette, Dorsey Burnette on steel guitar, and a drummer.
In 1954, Black and Moore were formed into a trio with Elvis Presley"
More on - Bill Black http://en.wikipedia.org/wiki/Bill_Black

No comments: